With 4 styles, round stems, and a unique, geometric look, this typeface can be confidently used in any point size.Ĭonsidered as one of the most popular fonts in Israel, this neutral multi-lingual sans will make a great addition to any designer’s toolkit. Inspired by the early 20th-Century era and named after a rare breed of domesticated cats, designer Thoma Kikis brings you this monospaced display sans that’s as sophisticated as it is expressive.ĭesigned by Viktor Kharyk and Konstantin Golovchenko, this typeface is a revival of the ‘Italian’ of foundry Caslon & Livermore. Reminiscent of old Biblical manuscripts, this font by Asher Oron manages to maintain clear forms and shapes for decent readability. The geometric forms of this typeface were derived from old Hebrew characters, albeit the designer added chic, modern twists to it. Inspired by the Latin letters of Tahoma, this polished and harmonious substitute is ideal for titles, headlines, and short texts. You can’t go wrong with this tender sans serif designed by Noa David as it remains legible no matter the font size. Suitable for professional use, you can apply any of its 8 styles on headlines, main text, banners, logos, and more. The straight edges of the characters from this font family give them a clean, dignified appeal. Bold, vivacious, and rough, it definitely has a wide variety of uses.įeaturing 4 elegant styles to choose from, this typeface by Zvika Rosenberg has lovely round stems that make them a wonderful option for headlines or body copy. It contains 3 styles you can purchase individually or as a package.Ĭreated by Avraham Cornfeld, this font includes 6 styles, ranging from Ultra Light to Grunge. Simple albeit with a few geometric touches, this family pack was designed by Arta Osherov and published by Masterfont. All you need are these lovely Hebrew fonts and you’re good to go. You don’t need to be an expert if you want to incorporate a few of its elements and/or aesthetics into your works. Known as the language of sacred texts, Hebrew is both fascinating and vital. This has been the way to write Hebrew up to the present. The Masoretic Hebrew texts of the Bible were written this way. The Hebrew symbols we know today began around 11th Century A.D. Most of the scrolls from the Dead Sea Caves were written in late Semitic script, where it saw first use between the 4th Century B.C. There are theories of this being older than what the current discoveries suggest. Its foundations dated as far as between the 20th and 12th centuries B.C. The Hebrew alphabet saw just as many changes as its spoken counterpart throughout the years. The late 19th Century saw its revival as a spoken language among people. Judaists kept the language alive through their liturgies. It also served as a language of commerce in Jews of varying first tongues. Hebrew was no longer widely spoken by Late Antiquity, but it continued to see use as a literary language in Spain. It had gone through several changes during these times, notably due to the rise and fall of empires in the region. It was widely accepted that Hebrew flourished as a spoken language from 1200 to 586 BCE. These are languages once used by people throughout the Levant, Mesopotamia, Anatolia, and all the way to the east Mediterranean. Hebrew is the last of the Canaanite dialects.
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